| Updated: August 20, 2025|  | THE DAY THE EARTH STOOD STILL MUSIC CD (1) | 
 
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The Day the Earth Stood Still Music Album Features:
 UPC: 030206631425
 Artist: Joel McNeely
 Format: CD
 Release Year: 2003
 Record Label: Varèse Sarabande ( USA )
 Genre: Soundtracks
 
 Track Listing:
 
 1. Day the Earth Stood Still, film score: Prelude and Outer Space, The
 2. Day the Earth Stood Still, film score: Radar, The
 3. Day the Earth Stood Still, film score: Danger, The
 4. Day the Earth Stood Still, film score: Klaatu, The
 5. Day the Earth Stood Still, film score: Gort, The
 6. Day the Earth Stood Still, film score: The Visor, The
 7. Day the Earth Stood Still, film score: The Telescope, The
 8. Day the Earth Stood Still, film score: Escape, The
 9. Day the Earth Stood Still, film score: Solar Diamonds, The
 10. Day the Earth Stood Still, film score: Arlington, The
 11. Day the Earth Stood Still, film score: Lincoln Memorial, The
 12. Day the Earth Stood Still, film score: Nocturne, The
 13. Day the Earth Stood Still, film score: The Flashlight, The
 14. Day the Earth Stood Still, film score: The Robot, The
 15. Day the Earth Stood Still, film score: Space Control, The
 16. Day the Earth Stood Still, film score: The Elevator, The
 17. Day the Earth Stood Still, film score: The Magnetic Pull, The
 18. Day the Earth Stood Still, film score: The Study, The
 19. Day the Earth Stood Still, film score: The Conference, The
 20. Day the Earth Stood Still, film score: The Jeweler, The
 21. Day the Earth Stood Still, film score: 12:30, The
 22. Day the Earth Stood Still, film score: Panic, The
 23. Day the Earth Stood Still, film score: The Glowing, The
 24. Day the Earth Stood Still, film score: Alone, The
 25. Day the Earth Stood Still, film score: Gort's Rage, The
 26. Day the Earth Stood Still, film score: Nikto, The
 27. Day the Earth Stood Still, film score: Captive, The
 28. Day the Earth Stood Still, film score: Terror, The
 29. Day the Earth Stood Still, film score: The Prison, The
 30. Day the Earth Stood Still, film score: Rebirth, The
 31. Day the Earth Stood Still, film score: Departure, The
 32. Day the Earth Stood Still, film score: Farewell, The
 33. Day the Earth Stood Still, film score: Finale, The
 
 Details:
 
 Playing Time: 38 min.
 Producer: Robert Townson
 Distributor: Universal Distribution
 Recording Type: Studio
 Recording Mode: Mono
 SPAR Code: n/a
 
 Album Notes:
 
 Original score composed by Bernard Herrmann. Conducted by Joel McNeely. Recorded at Abbey Road Studios, London, England on January 5, 2002.Personnel: Mitch Dalton ( electric guitar ); Skaila Kanga , Helen Tunstall ( harp ); Rosemary Warren Green ( electric violin ); Anthony Pleeth ( electric cello ); Andrew Crowley, Paul Archibald, Ian Balmain ( trumpet ); Richard Edwards ( trombone, bass trombone ); Dudley Bright, Mike Hext, Eric Crees ( trombone ); Kevin Morgan, Owen Slade ( tuba ); Nick Hitchens, David Powell ( contrabass tuba ); John Pigneguy ( horns ); John Lenehan ( piano, celesta ); Chris Laurence ( electric bass ); Frank Ricotti, Bill Lockhart, Gary Kettel ( percussion ); Celia Sheen ( Theremin ). Liner Note Authors: Christopher Husted; Jonathan Allen. Recording
 information: Abbey Road Studios, Studio One, London, England ( 01/05/2002 ).
 
 The Day the Earth Stood Still is one of Bernard Herrmann's most inventive soundtracks. This is attributable, largely, to the unusual instrumentation, which includes a small orchestra of Theremins, trumpets, trombones, tubas, reed organ, Hammond Organs, pianos,
 percussionists, and electrically amplified violin, cello, and bass. Naturally, the unusual ensemble, featuring acoustic and electric sounds, and the unearthly, vibrating voice of the Theremin ( Herrmann scored the piece for two Theremins, and they often play at cross-purposes, using the instrument's already unconventional sound to create disorienting swirls ) adds to the unsettling, futuristic theme of the film. The music exemplifies Herrmann's strengths with minimalist expression and theme-and-variation technique. A master of dramatic tension and dynamic musical dialogue, Herrmann pits low-rumbling electric bass and timpani against
 airy, eerie celeste and Theremin melodies. Light, acoustic instruments like bells and harps ring around ominous horn lines and twangy electric guitar. While never atonal, Herrmann's approach to melody is unusual, employing odd interval leaps. Likewise, the music here is motivated by texture and mood rather than the development of themes ( though several motifs are repeated ) and the result is some of the most vital, forward-thinking music of the era ( not only for film, but any medium ).
 
 Value: $20.
 
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