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IN MEMORY OF MUSICIAN GEORGE HARRISON #01 |
Updated: December 16, 2023
George Harrison MBE ( 25 February 1943 – 29 November 2001 ) was an English musician, singer-songwriter, music and film producer
who achieved international fame as the lead guitarist of the Beatles. Often referred to as "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned
spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most
Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group included "Taxman", "Within
You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something".
Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were
subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds,
and towards Indian classical music through his use of the sitar on "Norwegian Wood ( This Bird Has Flown )". Having initiated the
band's embracing of Transcendental Meditation in 1967, he subsequently developed an association with the Hare Krishna movement.
After the band's break-up in 1970, Harrison released the triple album All Things Must Pass, a critically acclaimed work that
produced his most successful hit single, "My Sweet Lord", and introduced his signature sound as a solo artist, the slide guitar.
He also organised the 1971 Concert for Bangladesh with Indian musician Ravi Shankar, a precursor to later benefit concerts such as
Live Aid. In his role as a music and film producer, Harrison produced acts signed to the Beatles' Apple record label before
founding Dark Horse Records in 1974 and co-founding HandMade Films in 1978.
Harrison released several best-selling singles and albums as a solo performer. In 1988, he co-founded the platinum-selling
supergroup the Traveling Wilburys. A prolific recording artist, he was featured as a guest guitarist on tracks by Badfinger,
Ronnie Wood and Billy Preston, and collaborated on songs and music with Dylan, Eric Clapton, Ringo Starr and Tom Petty, among
others. Rolling Stone magazine ranked him number 11 in their list of the "100 Greatest Guitarists of All Time". He is a two-time
Rock and Roll Hall of Fame inductee – as a member of the Beatles in 1988, and posthumously for his solo career in 2004.
Harrison's first marriage, to model Pattie Boyd in 1966, ended in divorce in 1977. The following year he married Olivia Arias, with
whom he had a son, Dhani. Harrison died from lung cancer in 2001 at the age of 58, two years after surviving a knife attack by an
intruder at his Friar Park home. His remains were cremated and the ashes were scattered according to Hindu tradition in a private
ceremony in the Ganges and Yamuna rivers in India. He left an estate of almost $100 million.
Harrison was born at 12 Arnold Grove in Wavertree, Liverpool, on 25 February 1943. He was the youngest of four children of
Harold Hargreaves ( or Hargrove ) Harrison ( 1909–1978 ) and Louise nee French; ( 1911–1970 ). Harold was a bus conductor who had worked as a ship's steward on the White Star Line, and Louise was a shop assistant of Irish Catholic descent. He had one sister, Louise ( born 16 August 1931 ), and two brothers, Harold ( born 1934 ) and Peter ( 20 July 1940 – 1 June 2007 ).
According to Boyd, Harrison's mother was particularly supportive: "All she wanted for her children is that they should be happy,
and she recognized that nothing made George quite as happy as making music." Louise was an enthusiastic music fan, and she was
known among friends for her loud singing voice, which at times startled visitors by rattling the Harrisons' windows. When Louise
was pregnant with George, she often listened to the weekly broadcast Radio India. Harrison's biographer Joshua Greene wrote,
"Every Sunday she tuned in to mystical sounds evoked by sitars and tablas, hoping that the exotic music would bring peace and calm
to the baby in the womb."
Harrison lived the first four years of his life at 12 Arnold Grove, a terraced house on a cul-de-sac. The home had an outdoor
toilet and its only heat came from a single coal fire. In 1949, the family was offered a council house and moved to 25 Upton Green,
Speke. In 1948, at the age of five, Harrison enrolled at Dovedale Primary School. He passed the eleven-plus exam and attended
Liverpool Institute High School for Boys from 1954 to 1959. Though the institute did offer a music course, Harrison was
disappointed with the absence of guitars, and felt the school "moulded [students] into being frightened".
Harrison's earliest musical influences included George Formby, Cab Calloway, Django Reinhardt and Hoagy Carmichael; by the 1950s,
Carl Perkins and Lonnie Donegan were significant influences. In early 1956 he had an epiphany: while riding his bicycle, he heard
Elvis Presley's "Heartbreak Hotel" playing from a nearby house, and the song piqued his interest in rock and roll. He often sat
at the back of the class drawing guitars in his schoolbooks, and later commented, "I was totally into guitars." Harrison cited
Slim Whitman as another early influence: "The first person I ever saw playing a guitar was Slim Whitman, either a photo of him in
a magazine or live on television. Guitars were definitely coming in."
Although Harold Harrison was apprehensive about his son's interest in pursuing a music career, in 1956 he bought George a
Dutch Egmond flat top acoustic guitar, which according to Harold, cost $3.10 equivalent to $100 in 2019. One of his father's
friends taught Harrison how to play "Whispering", "Sweet Sue" and "Dinah", and, inspired by Donegan's music, Harrison formed a
skiffle group called the Rebels with his brother Peter and a friend, Arthur Kelly. On the bus to school, Harrison met
Paul McCartney, who also attended the Liverpool Institute, and the pair bonded over their shared love of music.
Harrison became part of the Beatles with McCartney and John Lennon when the band were still a skiffle group called the Quarrymen.
In March 1958, he auditioned for the Quarrymen at Rory Storm's Morgue Skiffle Club, playing Arthur "Guitar Boogie" Smith's
"Guitar Boogie Shuffle", but Lennon felt that Harrison, having just turned 15, was too young to join the band. McCartney arranged
a second meeting, on the upper deck of a Liverpool bus, during which Harrison impressed Lennon by performing the lead guitar part
for the instrumental "Raunchy". He began socialising with the group, filling in on guitar as needed, and then became accepted as a
member. Although his father wanted him to continue his education, Harrison left school at 16 and worked for several months as an
apprentice electrician at Blacklers, a local department store. During the group's first tour of Scotland, in 1960, Harrison used
the pseudonym "Carl Harrison", in reference to Carl Perkins.
In 1960, promoter Allan Williams arranged for the band, now calling themselves the Beatles, to play at the Indra and Kaiserkeller
clubs in Hamburg, both owned by Bruno Koschmider. Their first residency in Hamburg ended prematurely when Harrison was deported
for being too young to work in nightclubs. When Brian Epstein became their manager in December 1961, he polished up their image
and later secured them a recording contract with EMI. The group's first single, "Love Me Do", peaked at number seventeen on the Record Retailer chart, and by the time their debut album, Please Please Me, was released in early 1963, Beatlemania had arrived. Often
serious and focused while on stage with the band, Harrison was known as "the quiet Beatle". He had two lead vocal credits on the
LP, including the Lennon–McCartney song "Do You Want to Know a Secret?", and three on their second album, With the Beatles ( 1963 ).
The latter included "Don't Bother Me", Harrison's first solo writing credit.
Harrison served as the Beatles' scout for new American releases, being especially knowledgeable about soul music. By 1965's Rubber
Soul, he had begun to lead the other Beatles into folk rock through his interest in the Byrds and Bob Dylan, and towards Indian
classical music through his use of the sitar on "Norwegian Wood ( This Bird Has Flown )". He later called Rubber Soul his "favorite
Beatles album". Revolver ( 1966 ) included three of his compositions: "Taxman", selected as the album's opening track, "Love You
To" and "I Want to Tell You". His drone-like tambura part on Lennon's "Tomorrow Never Knows" exemplified the band's ongoing exploration of non-Western instruments, while the sitar- and tabla-based "Love You To" represented the Beatles' first genuine
foray into Indian music. According to the ethnomusicologist David Reck, the latter song set a precedent in popular music as an example of Asian culture being represented by Westerners respectfully and without parody. Author Nicholas Schaffner wrote in 1978 that following Harrison's increased association with the sitar after "Norwegian Wood", he became known as "the maharaja of
raga-rock". Harrison continued to develop his interest in non-Western instrumentation, playing swarmandal on "Strawberry Fields Forever".
By late 1966, Harrison's interests had moved away from the Beatles. This was reflected in his choice of Eastern gurus and
religious leaders for inclusion on the album cover for Sgt. Pepper's Lonely Hearts Club Band in 1967. His sole composition on the album was the Indian-inspired "Within You Without You", to which no other Beatle contributed. He played sitar and tambura on the track, backed by musicians from the London Asian Music Circle on dilruba, swarmandal and tabla. He later commented on the Sgt.
Pepper album: "It was a millstone and a milestone in the music industry ... There's about half the songs I like and the other half
I can't stand."
In January 1968, he recorded the basic track for his song "The Inner Light" at EMI's studio in Bombay, using a group of local
musicians playing traditional Indian instruments. Released as the B-side to McCartney's "Lady Madonna", it was the first Harrison
composition to appear on a Beatles single.[59] Derived from a quotation from the Tao Te Ching, the song's lyric reflected
Harrison's deepening interest in Hinduism and meditation. During the recording of The Beatles that same year, tensions within the
group ran high, and drummer Ringo Starr quit briefly. Harrison's four songwriting contributions to the double album included
"While My Guitar Gently Weeps", which featured Eric Clapton on lead guitar, and the horn-driven "Savoy Truffle".
Dylan and the Band were a major musical influence on Harrison at the end of his career with the Beatles. While on a visit to
Woodstock in late 1968, he established a friendship with Dylan and found himself drawn to the Band's sense of communal music-making
and to the creative equality among the band members, which contrasted with Lennon and McCartney's domination of the Beatles'
songwriting and creative direction. This coincided with a prolific period in his songwriting and a growing desire to assert his
independence from the Beatles. Tensions among the group surfaced again in January 1969, at Twickenham Studios, during the filmed
rehearsals that became the 1970 documentary Let It Be. Frustrated by the cold and sterile film studio, by Lennon's creative
disengagement from the Beatles, and by what he perceived as a domineering attitude from McCartney, Harrison quit the group on 10
January. He returned twelve days later, after his bandmates had agreed to move the film project to their own Apple Studio and to
abandon McCartney's plan for making a return to public performance.
Relations among the Beatles were more cordial, though still strained, when the band recorded their 1969 album Abbey Road. The LP
included what Lavezzoli describes as "two classic contributions" from Harrison – "Here Comes the Sun" and "Something" – that saw
him "finally achieve equal songwriting status" with Lennon and McCartney. During the album's recording, Harrison asserted more
creative control than before, rejecting suggestions for changes to his music, particularly from McCartney. "Something" became his
first A-side when issued on a double A-side single with "Come Together"; the song was number one in Canada, Australia, New Zealand
and West Germany, and the combined sides topped the Billboard Hot 100 chart in the United States. In the 1970s Frank Sinatra
recorded "Something" twice (1970 and 1979) and later dubbed it "the greatest love song of the past fifty years". Lennon considered
it the best song on Abbey Road, and it became the Beatles' second most covered song after "Yesterday".
In May 1970 Harrison's "For You Blue" was coupled on a US single with McCartney's "The Long and Winding Road" and became Harrison's
second chart-topper when the sides were listed together at number one on the Hot 100. His increased productivity meant that by the
time of their break-up he had amassed a stockpile of unreleased compositions. While Harrison grew as a songwriter, his
compositional presence on Beatles albums remained limited to two or three songs, increasing his frustration, and significantly contributing to the band's break-up. Harrison's last recording session with the Beatles was on 4 January 1970, when he, McCartney
and Starr recorded his song "I Me Mine" for the Let It Be soundtrack album.
Before the Beatles' break-up, Harrison had already recorded and released two solo albums: Wonderwall Music and Electronic Sound,
both of which contain mainly instrumental compositions. Wonderwall Music, a soundtrack to the 1968 film Wonderwall, blends Indian
and Western instrumentation, while Electronic Sound is an experimental album that prominently features a Moog synthesizer. Released
in November 1968, Wonderwall Music was the first solo album by a Beatle and the first LP released by Apple Records. Indian musicians
Aashish Khan and Shivkumar Sharma performed on the album, which contains the experimental sound collage "Dream Scene", recorded
several months before Lennon's "Revolution 9".
In December 1969, Harrison participated in a brief tour of Europe with the American group Delaney & Bonnie and Friends. During the
tour that included Clapton, Bobby Whitlock, drummer Jim Gordon and band leaders Delaney and Bonnie Bramlett, Harrison began to
write "My Sweet Lord", which became his first single as a solo artist. Delaney Bramlett inspired Harrison to learn slide guitar,
significantly influencing his later music.
For many years, Harrison was restricted in his songwriting contributions to the Beatles' albums, but he released All Things Must
Pass, a triple album with two discs of his songs and the third of recordings of Harrison jamming with friends. The album was
regarded by many as his best work, and it topped the charts on both sides of the Atlantic. The LP produced the number-one hit
single "My Sweet Lord" and the top-ten single "What Is Life". The album was co-produced by Phil Spector using his "Wall of Sound"
approach, and the musicians included Starr, Clapton, Gary Wright, Preston, Klaus Voormann, the whole of Delaney and Bonnie's
Friends band and the Apple group Badfinger. On release, All Things Must Pass was received with critical acclaim; Ben Gerson of
Rolling Stone described it as being "of classic Spectorian proportions, Wagnerian, Brucknerian, the music of mountain tops and
vast horizons". Author and musicologist Ian Inglis considers the lyrics of the album's title track "a recognition of the
impermanence of human existence ... a simple and poignant conclusion" to Harrison's former band. In 1971, Bright Tunes sued
Harrison for copyright infringement over "My Sweet Lord", owing to its similarity to the 1963 Chiffons hit "He's So Fine". When the case was heard in the United States district court in 1976, he denied deliberately plagiarising the song, but lost the case, as the judge ruled that he had done so subconsciously.
In 2000, Apple Records released a thirtieth anniversary edition of the album, and Harrison actively participated in its promotion.
In an interview, he reflected on the work: "It's just something that was like my continuation from the Beatles, really. It was me
sort of getting out of the Beatles and just going my own way ... it was a very happy occasion." He commented on the production:
"Well, in those days it was like the reverb was kind of used a bit more than what I would do now. In fact, I don't use reverb at
all. I can't stand it ... You know, it's hard to go back to anything thirty years later and expect it to be how you would want it
now."
Harrison responded to a request from Ravi Shankar by organising a charity event, the Concert for Bangladesh, which took place on
1 August 1971. The event drew over 40,000 people to two shows in New York's Madison Square Garden. The goal of the event was to
raise money to aid starving refugees during the Bangladesh Liberation War. Shankar opened the show, which featured popular
musicians such as Dylan, Clapton, Leon Russell, Badfinger, Preston and Starr.
A triple album, The Concert for Bangladesh, was released by Apple in December, followed by a concert film in 1972. Credited to
"George Harrison and Friends", the album topped the UK chart and peaked at number 2 in the US, and went on to win the Grammy Award
for Album of the Year. Tax troubles and questionable expenses later tied up many of the proceeds, but Harrison commented: "Mainly
the concert was to attract attention to the situation ... The money we raised was secondary, and although we had some money
problems ... they still got plenty ... even though it was a drop in the ocean. The main thing was, we spread the word and helped
get the war ended."
Harrison's 1973 album Living in the Material World held the number one spot on the Billboard albums chart for five weeks, and the
album's single, "Give Me Love ( Give Me Peace on Earth )", also reached number one in the US. In the UK, the LP peaked at number
two and the single reached number 8. The album was lavishly produced and packaged, and its dominant message was Harrison's Hindu
beliefs. In Greene's opinion it "contained many of the strongest compositions of his career". Stephen Holden, writing in
Rolling Stone, felt the album was "vastly appealing" and "profoundly seductive", and that it stood "alone as an article of faith,
miraculous in its radiance". Other reviewers were less enthusiastic, describing the release as awkward, sanctimonious and overly
sentimental.
In November 1974, Harrison became the first ex-Beatle to tour North America when he began his 45-date Dark Horse Tour. The shows
included guest spots by his band members Billy Preston and Tom Scott, and traditional and contemporary Indian music performed by
"Ravi Shankar, Family and Friends". Despite numerous positive reviews, the consensus reaction to the tour was negative. Some fans
found Shankar's significant presence to be a bizarre disappointment, and many were affronted by what Inglis described as
Harrison's "sermonizing". Further, he reworked the lyrics to several Beatles songs, and his laryngitis-affected vocals led to
some critics calling the tour "dark hoarse". The author Robert Rodriguez commented: "While the Dark Horse tour might be considered
a noble failure, there were a number of fans who were tuned-in to what was being attempted. They went away ecstatic, conscious that they had just witnessed something so uplifting that it could never be repeated." Simon Leng called the tour "groundbreaking" and
"revolutionary in its presentation of Indian Music".
In December, Harrison released Dark Horse, which was an album that earned him the least favourable reviews of his career.
Rolling Stone called it "the chronicle of a performer out of his element, working to a deadline, enfeebling his overtaxed talents
by a rush to deliver a new 'LP product', rehearse a band, and assemble a cross-country tour, all within three weeks". The album
reached number 4 on the Billboard chart and the single "Dark Horse" reached number 15, but they failed to make an impact in the UK.
The music critic Mikal Gilmore described Dark Horse as "one of Harrison's most fascinating works – a record about change and loss".
Harrison's final studio album for EMI and Apple Records, the soul music-inspired Extra Texture ( Read All About It ) ( 1975 ),
peaked at number 8 on the Billboard chart and number 16 in the UK. Harrison considered it the least satisfactory of the three
albums he had recorded since All Things Must Pass. Leng identified "bitterness and dismay" in many of the tracks; his long-time friend Klaus Voormann commented: "He wasn't up for it ... It was a terrible time because I think there was a lot of cocaine going around, and that's when I got out of the picture ... I didn't like his frame of mind". He released two singles from the LP: "You",
which reached the Billboard top 20, and "This Guitar ( Can't Keep from Crying )", Apple's final original single release.
Thirty Three & 1/3 ( 1976 ), Harrison's first album release on his own Dark Horse Records label, produced the hit singles "This
Song" and "Crackerbox Palace", both of which reached the top 25 in the US. The surreal humour of "Crackerbox Palace" reflected Harrison's association with Monty Python's Eric Idle, who directed a comical music video for the song. With an emphasis on melody
and musicianship, and a more subtle subject matter than the pious message of his earlier works, Thirty Three & 1/3 earned Harrison his most favourable critical notices in the US since All Things Must Pass. The album peaked just outside the top ten there, but outsold his previous two LPs. As part of his promotion for the release, Harrison performed on Saturday Night Live with Paul Simon.
In 1979, Harrison released George Harrison, which followed his second marriage and the birth of his son Dhani. Co-produced by
Russ Titelman, the album and the single "Blow Away" both made the Billboard top 20. The album marked the beginning of Harrison's
gradual retreat from the music business, with several of the songs having been written in the tranquil setting of Maui in the
Hawaiian archipelago. Leng described George Harrison as "melodic and lush ... peaceful ... the work of a man who had lived the
rock and roll dream twice over and was now embracing domestic as well as spiritual bliss".
Harrison and Eric Clapton performing "While My Guitar Gently Weeps" at the 1987 Prince's Trust Concert in London The murder of
John Lennon on 8 December 1980 disturbed Harrison and reinforced his decades-long concern about stalkers. The tragedy was also a
deep personal loss, although Harrison and Lennon had little contact in the years before Lennon was killed. Following the murder,
Harrison commented: "After all we went through together I had and still have great love and respect for John Lennon. I am shocked
and stunned." Harrison modified the lyrics of a song he had written for Starr in order to make the song a tribute to Lennon. "All
Those Years Ago", which included vocal contributions from Paul and Linda McCartney, as well as Starr's original drum part, peaked
at number two in the US charts. The single was included on the album Somewhere in England in 1981.
Harrison did not release any new albums for five years after 1982's Gone Troppo received little notice from critics or the public.
During this period he made several guest appearances, including a 1985 performance at a tribute to Carl Perkins titled Blue Suede
Shoes: A Rockabilly Session. In March 1986 he made a surprise appearance during the finale of the Birmingham Heart Beat Charity
Concert, an event organised to raise money for the Birmingham Children's Hospital. The following year, he appeared at The Prince's
Trust concert at London's Wembley Arena, performing "While My Guitar Gently Weeps" and "Here Comes the Sun". In February 1987 he
joined Dylan, John Fogerty and Jesse Ed Davis on stage for a two-hour performance with the blues musician Taj Mahal. Harrison
recalled: "Bob rang me up and asked if I wanted to come out for the evening and see Taj Mahal ... So we went there and had a few
of these Mexican beers – and had a few more ... Bob says, 'Hey, why don't we all get up and play, and you can sing?' But every time
I got near the microphone, Dylan comes up and just starts singing this rubbish in my ear, trying to throw me."
In November 1987 Harrison released the platinum album Cloud Nine. Co-produced with Jeff Lynne of Electric Light Orchestra ( ELO ),
the album included Harrison's rendition of James Ray's "Got My Mind Set on You", which went to number one in the US and number two
in the UK. The accompanying music video received substantial airplay, and another single, "When We Was Fab", a retrospective of the
Beatles' career, earned two MTV Music Video Awards nominations in 1988. Recorded at his estate in Friar Park, Harrison's slide
guitar playing featured prominently on the album, which included several of his long-time musical collaborators, including Clapton,
Jim Keltner and Jim Horn. Cloud Nine reached number eight and number ten on the US and UK charts respectively, and several tracks
from the album achieved placement on Billboard's Mainstream Rock chart – "Devil's Radio", "This Is Love" and "Cloud 9". later
career: 1988–1996
In 1988, Harrison formed the Traveling Wilburys with Jeff Lynne, Roy Orbison, Bob Dylan and Tom Petty. The band had gathered in
Dylan's garage to record a song for a Harrison European single release. Harrison's record company decided the track, "Handle with
Care", was too good for its original purpose as a B-side and asked for a full album. The LP, Traveling Wilburys Vol. 1, was
released in October 1988 and recorded under pseudonyms as half-brothers, supposed sons of Charles Truscott Wilbury, Sr. It reached
number 16 in the UK and number 3 in the US, where it was certified triple platinum. Harrison's pseudonym on the album was
"Nelson Wilbury"; he used the name "Spike Wilbury" for their second album.
In 1989, Harrison and Starr appeared in the music video for Petty's song "I Won't Back Down". In October that year, Harrison
assembled and released Best of Dark Horse 1976–1989, a compilation of his later solo work. The album included three new songs,
including "Cheer Down", which Harrison had recently contributed to the Lethal Weapon 2 film soundtrack.
Following Orbison's death in December 1988, the Wilburys recorded as a four-piece. Their second album, issued in October 1990, was
mischievously titled Traveling Wilburys Vol. 3. According to Lynne, "That was George's idea. He said, 'Let's confuse the buggers.'
"It peaked at number 14 in the UK and number 11 in the US, where it was certified platinum. The Wilburys never performed live, and
the group did not record together again following the release of their second album.
In December 1991, Harrison joined Clapton for a tour of Japan. It was Harrison's first since 1974 and no others followed. On
6 April 1992, Harrison held a benefit concert for the Natural Law Party at the Royal Albert Hall, his first London performance
since the Beatles' 1969 rooftop concert. In October 1992, he performed at a Bob Dylan tribute concert at Madison Square Garden in
New York City, playing alongside Dylan, Clapton, McGuinn, Petty and Neil Young.
In 1994 Harrison began a collaboration with McCartney, Starr and producer Jeff Lynne for the Beatles Anthology project. This
included the recording of two new Beatles songs built around solo vocal and piano tapes recorded by Lennon as well as lengthy
interviews about the Beatles' career. Released in December 1995, "Free as a Bird" was the first new Beatles single since 1970. In
March 1996, they released a second single, "Real Love". Harrison refused to participate in the completion of a third song. He
later commented on the project: "I hope somebody does this to all my crap demos when I'm dead, make them into hit songs."
Following the Anthology project, Harrison collaborated with Ravi Shankar on the latter's Chants of India. Harrison's final
television appearance was a VH-1 special to promote the album, taped in May 1997. Soon afterwards, Harrison was diagnosed with
throat cancer; he was treated with radiotherapy, which was thought at the time to be successful. He publicly blamed years of
smoking for the illness.
In January 1998, Harrison attended Carl Perkins' funeral in Jackson, Tennessee, where he performed a brief rendition of Perkins'
song "Your True Love". In May, he represented the Beatles at London's High Court in their successful bid to gain control of
unauthorised recordings made of a 1962 performance by the band at the Star-Club in Hamburg. The following year, he was the most
active of his former bandmates in promoting the reissue of their 1968 animated film Yellow Submarine.
On 30 December 1999, Harrison and his wife were attacked at their home, Friar Park. Michael Abram, a 34-year-old man suffering
from paranoid schizophrenia, broke in and attacked Harrison with a kitchen knife, puncturing a lung and causing head injuries
before Olivia Harrison incapacitated the assailant by striking him repeatedly with a fireplace poker and a lamp. Following the attack, Harrison was hospitalised with more than 40 stab wounds, and part of his punctured lung was removed. He released a
statement soon afterwards regarding his assailant: "He wasn't a burglar, and he certainly wasn't auditioning for the Traveling Wilburys. Adi Shankara, an Indian historical, spiritual and groovy-type person, once said, 'Life is fragile like a raindrop on a lotus leaf.' And you'd better believe it."
In May 2001, it was revealed that Harrison had undergone an operation to remove a cancerous growth from one of his lungs, and in
July, it was reported that he was being treated for a brain tumour at a clinic in Switzerland.[195] While in Switzerland, Starr
visited him but had to cut short his stay in order to travel to Boston, where his daughter was undergoing emergency brain surgery,
prompting Harrison to quip: "Do you want me to come with you?" In November 2001, he began radiotherapy at Staten Island University
Hospital in New York City for non-small cell lung cancer which had spread to his brain. When the news was made public, Harrison
bemoaned his physician's breach of privacy, and his estate later claimed damages. On 12 November in New York, Harrison, Starr and
McCartney came together for the last time.
On 29 November 2001, Harrison died at a friend's home in Los Angeles, aged 58. He was cremated at Hollywood Forever Cemetery and
his funeral was held at the Self-Realization Fellowship Lake Shrine in Pacific Palisades, California. His close family scattered
his ashes according to Hindu tradition in a private ceremony in the Ganges and Yamuna rivers near Varanasi, India. He left almost
$100 million in his will.
Harrison's final album, Brainwashed (2002), was released posthumously after it was completed by his son Dhani and Jeff Lynne. A
quotation from the Bhagavad Gita is included in the album's liner notes: "There never was a time when you or I did not exist. Nor
will there be any future when we shall cease to be." A media-only single, "Stuck Inside a Cloud", which Leng described as "a
uniquely candid reaction to illness and mortality", achieved number 27 on Billboard's Adult Contemporary chart. The single
"Any Road", released in May 2003, peaked at number 37 on the UK Singles Chart. "Marwa Blues" went on to receive the 2004
Grammy Award for Best Pop Instrumental Performance, while "Any Road" was nominated for Best Male Pop Vocal Performance.
Harrison's guitar work with the Beatles was varied and flexible. Although not fast or flashy, his lead guitar playing was solid
and typified the more subdued lead guitar style of the early 1960s; his rhythm guitar playing was as innovative, such as using a
capo to shorten the strings on an acoustic guitar, as on the Rubber Soul album and "Here Comes the Sun", to create a bright, sweet sound. Eric Clapton felt that Harrison was "clearly an innovator" as he was "taking certain elements of R&B and rock and rockabilly and creating something unique". Rolling Stone founder Jann Wenner described Harrison as "a guitarist who was never showy but who
had an innate, eloquent melodic sense. He played exquisitely in the service of the song". The guitar picking style of Chet Atkins
and Carl Perkins influenced Harrison, giving a country music feel to many of the Beatles' recordings. He identified Chuck Berry as another early influence.
In 1961 the Beatles recorded "Cry for a Shadow", a blues-inspired instrumental co-written by Lennon and Harrison, who is credited
with composing the song's lead guitar part, building on unusual chord voicings and imitating the style of other English groups such
as the Shadows. Harrison's liberal use of the diatonic scale in his guitar playing reveals the influence of Buddy Holly, and his
interest in Berry inspired him to compose songs based on the blues scale while incorporating a rockabilly feel in the style of
Perkins. Another of Harrison's musical techniques was the use of guitar lines written in octaves, as on "I'll Be on My Way".
By 1964 he had begun to develop a distinctive personal style as a guitarist, writing parts that featured the use of nonresolving
tones, as with the ending chord arpeggios on "A Hard Day's Night". On this and other songs from the period, he used a Rickenbacker
360/12 an electric guitar with twelve strings, the low eight of which are tuned in pairs, one octave apart, with the higher four
being pairs tuned in unison. His use of the Rickenbacker on A Hard Day's Night helped to popularise the model, and the jangly sound
became so prominent that Melody Maker termed it the Beatles' "secret weapon". In 1965 Harrison used an expression pedal to control
his guitar's volume on "I Need You", creating a syncopated flautando effect with the melody resolving its dissonance through tonal
displacements. He used the same volume-swell technique on "Yes It Is", applying what Everett described as "ghostly articulation"
to the song's natural harmonics.
In 1966 Harrison contributed innovative musical ideas to Revolver. He played backwards guitar on Lennon's composition "I'm Only
Sleeping" and a guitar counter-melody on "And Your Bird Can Sing" that moved in parallel octaves above McCartney's bass downbeats.
His guitar playing on "I Want to Tell You" exemplified the pairing of altered chordal colours with descending chromatic lines and
his guitar part for Sgt Pepper's "Lucy in the Sky with Diamonds" mirrors Lennon's vocal line in much the same way that a sarangi
player accompanies a khyal singer in a Hindu devotional song.
Everett described Harrison's guitar solo from "Old Brown Shoe" as "stinging [and] highly Claptonesque". He identified two of the
composition's significant motifs: a bluesy trichord and a diminished triad with roots in A and E. Huntley called the song "a
sizzling rocker with a ferocious ... solo". In Greene's opinion, Harrison's demo for "Old Brown Shoe" contains "one of the most
complex lead guitar solos on any Beatles song".
Harrison's playing on Abbey Road, and in particular on "Something", marked a significant moment in his development as a guitarist. The song's guitar solo shows a varied range of influences, incorporating the blues guitar style of Clapton and the styles of
Indian gamakas. According to author and musicologist Kenneth Womack: "'Something' meanders toward the most unforgettable of Harrison's guitar solos ... A masterpiece in simplicity, it reaches toward the sublime".
After Delaney Bramlett inspired him to learn slide guitar, Harrison began to incorporate it into his solo work, which allowed him
to mimic many traditional Indian instruments, including the sarangi and the dilruba. Leng described Harrison's slide guitar solo
on Lennon's "How Do You Sleep?" as a departure for "the sweet soloist of 'Something'", calling his playing "rightly famed ... one
of Harrison's greatest guitar statements". Lennon commented: "That's the best he's ever fucking played in his life."
A Hawaiian influence is notable in much of Harrison's music, ranging from his slide guitar work on Gone Troppo ( 1982 ) to his
televised performance of the Cab Calloway standard "Between the Devil and the Deep Blue Sea" on ukulele in 1992. Lavezzoli
described Harrison's slide playing on the Grammy-winning instrumental "Marwa Blues" (2002) as demonstrating Hawaiian influences
while comparing the melody to an Indian sarod or veena, calling it "yet another demonstration of Harrison's unique slide approach".
Harrison was an admirer of George Formby and a member of the Ukulele Society of Great Britain, and played a ukulele solo in the
style of Formby at the end of "Free as a Bird". He performed at a Formby convention in 1991, and served as the honorary
president of the George Formby Appreciation Society. Harrison played bass guitar on numerous tracks, including the Beatles songs
"She Said She Said", "Golden Slumbers", "Birthday" and "Honey Pie". He also played bass on several solo recordings, including
"Faster", "Wake Up My Love" and "Bye Bye Love".
During the Beatles' American tour in August 1965, Harrison's friend David Crosby of the Byrds introduced him to Indian classical
music and the work of sitar maestro Ravi Shankar. Harrison described Shankar as "the first person who ever impressed me in my
life ... and he was the only person who didn't try to impress me." Harrison became fascinated with the sitar and immersed himself
in Indian music. According to Lavezzoli, Harrison's introduction of the instrument on the Beatles' song "Norwegian Wood"
"opened the floodgates for Indian instrumentation in rock music, triggering what Shankar would call 'The Great Sitar Explosion'
of 1966–67". Lavezzoli recognises Harrison as "the man most responsible for this phenomenon".
In June 1966 Harrison met Shankar at the home of Mrs Angadi of the Asian Music Circle, asked to be his student, and was accepted.
Before this meeting, Harrison had recorded his Revolver track "Love You To", contributing a sitar part that Lavezzoli describes as
an "astonishing improvement" over "Norwegian Wood" and "the most accomplished performance on sitar by any rock musician". On
6 July, Harrison travelled to India to buy a sitar from Rikhi Ram & Sons in New Delhi. In September, following the Beatles' final
tour, he returned to India to study sitar for six weeks with Shankar. He initially stayed in Bombay until fans learned of his
arrival, then moved to a houseboat on a remote lake in Kashmir. During this visit, he also received tutelage from Shambhu Das,
Shankar's protege.
Harrison studied the instrument until 1968, when, following a discussion with Shankar about the need to find his "roots", an
encounter with Clapton and Jimi Hendrix at a hotel in New York convinced him to return to guitar playing. Harrison commented: "I
decided ... I'm not going to be a great sitar player ... because I should have started at least fifteen years earlier." Harrison
continued to use Indian instrumentation occasionally on his solo albums and remained strongly associated with the genre. Lavezzoli
groups him with Paul Simon and Peter Gabriel as the three rock musicians who have given the most "mainstream exposure to non-Western
musics, or the concept of 'world music'".
Harrison wrote his first song, "Don't Bother Me", while sick in a hotel bed in Bournemouth during August 1963, as "an exercise to
see if I could write a song", as he remembered. His songwriting ability improved throughout the Beatles' career, but his material
did not earn full respect from Lennon, McCartney and producer George Martin until near the group's break-up. In 1969, McCartney
told Lennon: "Until this year, our songs have been better than George's. Now this year his songs are at least as good as ours".
Harrison often had difficulty getting the band to record his songs. Most Beatles albums from 1965 onwards contain at least two
Harrison compositions; three of his songs appear on Revolver, "the album on which Harrison came of age as a songwriter", according
to Inglis.
Harrison wrote the chord progression of "Don't Bother Me" almost exclusively in the Dorian mode, demonstrating an interest in
exotic tones that eventually culminated in his embrace of Indian music. The latter proved a strong influence on his songwriting
and contributed to his innovation within the Beatles. According to Mikal Gilmore of Rolling Stone, "Harrison's openness to new
sounds and textures cleared new paths for his rock and roll compositions. His use of dissonance on ... 'Taxman' and 'I Want to
Tell You' was revolutionary in popular music and perhaps more originally creative than the avant-garde mannerisms that Lennon
and McCartney borrowed from the music of Karlheinz Stockhausen, Luciano Berio, Edgard Varèse and Igor Stravinsky ..."
Of the 1967 Harrison song "Within You Without You", author Gerry Farrell said that Harrison had created a "new form", calling the
composition "a quintessential fusion of pop and Indian music". Lennon called the song one of Harrison's best: "His mind and his
music are clear. There is his innate talent, he brought that sound together." In his next fully Indian-styled song, "The Inner
Light", Harrison embraced the Karnatak discipline of Indian music, rather than the Hindustani style he had used in "Love You To"
and "Within You Without You". Writing in 1997, Farrell commented: "It is a mark of Harrison's sincere involvement with Indian
music that, nearly thirty years on, the Beatles' 'Indian' songs remain the most imaginative and successful examples of this type
of fusion for example, 'Blue Jay Way' and 'The Inner Light'."
Beatles biographer Bob Spitz described "Something" as a masterpiece, and "an intensely stirring romantic ballad that would
challenge 'Yesterday' and 'Michelle' as one of the most recognizable songs they ever produced". Inglis considered Abbey Road a
turning point in Harrison's development as a songwriter and musician. He described Harrison's two contributions to the LP, "Here
Comes the Sun" and "Something", as "exquisite", declaring them equal to any previous Beatles songs.
From 1968 onwards, Harrison collaborated with other musicians; he brought in Eric Clapton to play lead guitar on "While My Guitar
Gently Weeps" for the 1968 Beatles' White Album, and collaborated with John Barham on his 1968 debut solo album, Wonderwall Music,
which included contributions from Clapton again, as well as Peter Tork from the Monkees. He played on tracks by Dave Mason,
Nicky Hopkins, Alvin Lee, Ronnie Wood, Billy Preston and Tom Scott. Harrison co-wrote songs and music with Dylan, Clapton,
Preston, Doris Troy, David Bromberg, Gary Wright, Wood, Jeff Lynne and Tom Petty, among others. Harrison's music projects during
the final years of the Beatles included producing Apple Records artists Doris Troy, Jackie Lomax and Billy Preston.
Harrison co-wrote the song "Badge" with Clapton, which was included on Cream's 1969 album, Goodbye. Harrison played rhythm guitar
on the track, using the pseudonym "L'Angelo Misterioso" for contractual reasons. In May 1970 he played guitar on several songs
during a recording session for Dylan's album New Morning. Between 1971 and 1973 he co-wrote and/or produced three top ten hits for
Starr: "It Don't Come Easy", "Back Off Boogaloo" and "Photograph". Aside from "How Do You Sleep?", his contributions to Lennon's
1971 album Imagine included a slide guitar solo on "Gimme Some Truth" and dobro on "Crippled Inside". Also that year, he produced
and played slide guitar on Badfinger's top ten hit "Day After Day", and a dobro on Preston's "I Wrote a Simple Song". He worked
with Harry Nilsson on "You're Breakin' My Heart" ( 1972 ) and with Cheech & Chong on "Basketball Jones" ( 1973 ).
In 1974 Harrison founded Dark Horse Records as an avenue for collaboration with other musicians. He wanted Dark Horse to serve as
a creative outlet for artists, as Apple Records had for the Beatles. Eric Idle commented: "He's extremely generous, and he backs
and supports all sorts of people that you'll never, ever hear of." The first acts signed to the new label were Ravi Shankar and
the duo Splinter. Harrison produced and made multiple musical contributions to Splinter's debut album, The Place I Love, which provided Dark Horse with its first hit, "Costafine Town". He also produced and played guitar and autoharp on Shankar's Shankar
Family & Friends, the label's other inaugural release. Other artists signed by Dark Horse include Attitudes, Henry McCullough,
Jiva and Stairsteps. Harrison collaborated with Tom Scott on Scott's 1975 album New York Connection, and in 1981 he played guitar
on "Walk a Thin Line", from Mick Fleetwood's The Visitor. His contributions to Starr's solo career continued with "Wrack My Brain",
a 1981 US top 40 hit written and produced by Harrison, and guitar overdubs to two tracks on Vertical Man ( 1998 ). In 1996
Harrison recorded "Distance Makes No Difference With Love" with Carl Perkins for the latter's album Go Cat Go!, and in 1990 he
played slide guitar on the title track of Dylan's Under the Red Sky album. In 2001 he performed as a guest musician on Jeff Lynne
and Electric Light Orchestra's comeback album Zoom, and on the song "Love Letters" for Bill Wyman's Rhythm Kings. He also co-wrote
a new song with his son Dhani, "Horse to the Water", which was recorded on 2 October, eight weeks before his death. It appeared on Jools Holland's album Small World, Big Band.
When Harrison joined the Quarrymen in 1958 his main guitar was a Höfner President Acoustic, which he soon traded for a Hofner
Club 40 model. His first solid-body electric guitar was a Czech-built Jolana Futurama/Grazioso. The guitars he used on early recordings were mainly Gretsch models, played through a Vox amplifier, including a Gretsch Duo Jet that he bought secondhand in
1961, and posed with on the album cover for Cloud Nine. He also bought a Gretsch Tennessean and a Gretsch Country Gentleman, which
he played on "She Loves You", and during the Beatles' 1964 appearance on The Ed Sullivan Show. In 1963 he bought a Rickenbacker
425 Fireglo, and in 1964 he acquired a Rickenbacker 360 / 12 guitar, which was the second of its kind to be manufactured. Harrison obtained his first Fender Stratocaster in 1965 and first used it during the recording of the Help! album that February; he also
used it when recording Rubber Soul later that year, most notably on the song "Nowhere Man".
In early 1966 Harrison and Lennon each purchased Epiphone Casinos, which they used on Revolver. Harrison also used a Gibson J-160E
and a Gibson SG Standard while recording the album. He later painted his Stratocaster in a psychedelic design that included the
word "Bebopalula" above the pickguard and the guitar's nickname, "Rocky", on the headstock. He played this guitar in the Magical Mystery Tour film and throughout his solo career. In July 1968, Clapton gave him a Gibson Les Paul, which Harrison nicknamed
"Lucy". Around this time, he obtained a Gibson Jumbo J-200 acoustic guitar, which he subsequently gave to Dylan to use at the 1969 Isle of Wight Festival. In late 1968 Fender Musical Instruments Corporation gave Harrison a custom-made Fender Telecaster
Rosewood prototype, made especially for him by Philip Kubicki. In August 2017, Fender released a "Limited Edition George Harrison
Rosewood Telecaster" modelled after a Telecaster that Roger Rossmeisl originally created for Harrison.
Harrison helped finance Ravi Shankar's documentary Raga and released it through Apple Films in 1971. He also produced, with Apple
manager Allen Klein, the Concert for Bangladesh film. In 1973, he produced the feature film Little Malcolm, but the project was
lost amid the litigation surrounding the former Beatles ending their business ties with Klein.
In 1973 Peter Sellers introduced Harrison to Denis O'Brien. Soon after, the two went into business together. In 1978, in an effort
to produce Monty Python's Life of Brian, they formed the film production and distribution company HandMade Films. Their opportunity
for investment came after EMI Films withdrew funding at the demand of their chief executive, Bernard Delfont. Harrison financed
the production of Life of Brian in part by mortgaging his home, which Idle later called "the most anybody's ever paid for a cinema
ticket in history". The film grossed $21 million at the box office in the US. The first film distributed by HandMade Films was The
Long Good Friday ( 1980 ), and the first they produced was Time Bandits ( 1981 ), a co-scripted project by Monty Python's Terry Gilliam and Michael Palin. The film featured a new song by Harrison, "Dream Away", in the closing credits. Time Bandits became one
of HandMade's most successful and acclaimed efforts; with a budget of $5 million, it earned $35 million in the US within ten weeks
of its release.
Harrison served as executive producer for 23 films with HandMade, including A Private Function, Mona Lisa, Shanghai Surprise, Withnail and I and How to Get Ahead in Advertising. He made cameo appearances in several of these films, including a role as a nightclub singer in Shanghai Surprise, for which he recorded five new songs. According to Ian Inglis, Harrison's "executive role
in HandMade Films helped to sustain British cinema at a time of crisis, producing some of the country's most memorable movies of
the 1980s." Following a series of box office bombs in the late 1980s, and excessive debt incurred by O'Brien which was guaranteed
by Harrison, HandMade's financial situation became precarious. The company ceased operations in 1991 and was sold three years later to Paragon Entertainment, a Canadian corporation. Afterwards, Harrison sued O'Brien for $25 million for fraud and negligence, resulting in an $11.6 million judgement in 1996.
Harrison was involved in humanitarian and political activism throughout his life. In the 1960s, the Beatles supported the civil
rights movement and protested against the Vietnam War. In early 1971, Ravi Shankar consulted Harrison about how to provide aid to
the people of Bangladesh after the 1970 Bhola cyclone and the Bangladesh Liberation War. Harrison hastily wrote and recorded the
song "Bangla Desh", which became pop music's first charity single when issued by Apple Records in late July. He also pushed Apple
to release Shankar's Joi Bangla EP in an effort to raise further awareness for the cause. Shankar asked for Harrison's advice
about planning a small charity event in the US. Harrison responded by organising the Concert for Bangladesh, which raised more
than $240,000. Around $13.5 million was generated through the album and film releases, although most of the funds were frozen in
an Internal Revenue Service audit for ten years, due to Klein's failure to register the event as a UNICEF benefit beforehand. In
June 1972, UNICEF honored Harrison and Shankar, and Klein, with the "Child Is the Father of Man" award at an annual ceremony in
recognition of their fundraising efforts for Bangladesh.
From 1980, Harrison became a vocal supporter of Greenpeace and CND. He also protested against the use of nuclear energy with
Friends of the Earth, and helped finance Vole, a green magazine launched by Monty Python member Terry Jones. In 1990, he helped
promote his wife Olivia's Romanian Angel Appeal on behalf of the thousands of Romanian orphans left abandoned by the state
following the fall of Communism in Eastern Europe. Harrison recorded a benefit single, "Nobody's Child", with the Traveling
Wilburys, and assembled a fundraising album with contributions from other artists including Clapton, Starr, Elton John, Stevie Wonder, Donovan and Van Morrison.
The Concert for Bangladesh has been described as an innovative precursor for the large-scale charity rock shows that followed,
including Live Aid. The George Harrison Humanitarian Fund for UNICEF, a joint effort between the Harrison family and the US Fund
for UNICEF, aims to support programmes that help children caught in humanitarian emergencies. In December 2007, they donated
$450,000 to help the victims of Cyclone Sidr in Bangladesh. On 13 October 2009, the first George Harrison Humanitarian Award went
to Ravi Shankar for his efforts in saving the lives of children, and his involvement with the Concert for Bangladesh.
By the mid-1960s Harrison had become an admirer of Indian culture and mysticism, introducing it to the other Beatles. During the
filming of Help! in the Bahamas, they met the founder of Sivananda Yoga, Swami Vishnu-devananda, who gave each of them a signed
copy of his book, The Complete Illustrated Book of Yoga. Between the end of the last Beatles tour in 1966 and the beginning of the
Sgt Pepper recording sessions, he made a pilgrimage to India with his wife Pattie; there, he studied sitar with Ravi Shankar, met
several gurus, and visited various holy places. In 1968 he travelled to Rishikesh in northern India with the other Beatles to study
meditation with Maharishi Mahesh Yogi. Harrison's use of psychedelic drugs encouraged his path to meditation and Hinduism. He
commented: "For me, it was like a flash. The first time I had acid, it just opened up something in my head that was inside of me,
and I realized a lot of things. I didn't learn them because I already knew them, but that happened to be the key that opened the
door to reveal them. From the moment I had that, I wanted to have it all the time these thoughts about the yogis and the
Himalayas, and Ravi's music."
In line with the Hindu yoga tradition, Harrison became a vegetarian in the late 1960s. After being given various religious texts
by Shankar in 1966, he remained a lifelong advocate of the teachings of Swami Vivekananda and Paramahansa Yogananda – yogis and
authors, respectively, of Raja Yoga and Autobiography of a Yogi. In mid-1969, he produced the single "Hare Krishna Mantra",
performed by members of the London Radha Krishna Temple. Having also helped the Temple devotees become established in Britain,
Harrison then met their leader, A.C. Bhaktivedanta Swami Prabhupada, whom he described as "my friend ... my master" and "a perfect
example of everything he preached". Harrison embraced the Hare Krishna tradition, particularly japa-yoga chanting with beads, and
became a lifelong devotee.
Krishna actually was in a body as a person ... What makes it complicated is, if he's God, what's he doing fighting on a battlefield?
It took me ages to try to figure that out, and again it was Yogananda's spiritual interpretation of the Bhagavad Gita that made me
realise what it was. Our idea of Krishna and Arjuna on the battlefield in the chariot. So this is the point that we're in these
bodies, which is like a kind of chariot, and we're going through this incarnation, this life, which is kind of a battlefield. The
senses of the body ... are the horses pulling the chariot, and we have to get control over the chariot by getting control over the
reins. And Arjuna in the end says, "Please Krishna, you drive the chariot" because unless we bring Christ or Krishna or Buddha or
whichever of our spiritual guides ... we're going to crash our chariot, and we're going to turn over, and we're going to get killed
in the battlefield. That's why we say "Hare Krishna, Hare Krishna", asking Krishna to come and take over the chariot.
Before his religious conversion, the only British performer known for similar activities had been Cliff Richard, whose conversion
to Christianity in 1966 had gone largely unnoticed by the public. "By contrast," wrote Inglis, "Harrison's spiritual journey was
seen as a serious and important development that reflected popular music's increasing maturity ... what he, and the Beatles, had
managed to overturn was the paternalistic assumption that popular musicians had no role other than to stand on stage and sing their
hit songs."
Harrison married model Pattie Boyd on 21 January 1966, with McCartney serving as best man. Harrison and Boyd had met in 1964
during the production of the film A Hard Day's Night, in which the 19-year-old Boyd had been cast as a schoolgirl. They separated
in 1974 and their divorce was finalised in 1977. Boyd said her decision to end the marriage was due largely to George's repeated
infidelities. The last infidelity culminated in an affair with Ringo's wife Maureen, which Boyd called "the final straw". She
characterised the last year of their marriage as "fuelled by alcohol and cocaine", and she stated: "George used coke excessively,
and I think it changed him ... it froze his emotions and hardened his heart." She subsequently moved in with Eric Clapton, and they
married in 1979.
Harrison married Dark Horse Records' secretary Olivia Trinidad Arias on 2 September 1978. They had met at the A&M Records offices
in Los Angeles in 1974, and together had one son, Dhani Harrison, born on 1 August 1978.
He restored the English manor house and grounds of Friar Park, his home in Henley-on-Thames, where several of his music videos
were filmed including "Crackerbox Palace"; the grounds also served as the background for the cover of All Things Must Pass. He employed ten workers to maintain the 36-acre ( 15 ha ) garden. Harrison commented on gardening as a form of escapism: "Sometimes I feel like I'm actually on the wrong planet, and it's great when I'm in my garden, but the minute I go out the gate I think: 'What
the hell am I doing here?'" His autobiography, I, Me, Mine, is dedicated "to gardeners everywhere". The former Beatles publicist Derek Taylor helped Harrison write the book, which said little about the Beatles, focusing instead on Harrison's hobbies, music
and lyrics. Taylor commented: "George is not disowning the Beatles ... but it was a long time ago and actually a short part of his life."
Harrison had an interest in sports cars and motor racing; he was one of the 100 people who purchased the McLaren F1 road car. He
had collected photos of racing drivers and their cars since he was young; at 12 he had attended his first race, the 1955 British
Grand Prix at Aintree He wrote "Faster" as a tribute to the Formula One racing drivers Jackie Stewart and Ronnie Peterson. Proceeds
from its release went to the Gunnar Nilsson cancer charity, set up after the Swedish driver's death from the disease in 1978.
Harrison's first extravagant car, a 1964 Aston Martin DB5, was sold at auction on 7 December 2011 in London. An anonymous Beatles
collector paid $350,000 for the vehicle that Harrison had bought new in January 1965.
For most of the Beatles' career the relationships in the group were close. According to Hunter Davies, "the Beatles spent their
lives not living a communal life, but communally living the same life. They were each other's greatest friends." Harrison's ex-wife
Pattie Boyd described how the Beatles "all belonged to each other" and admitted, "George has a lot with the others that I can never
know about. Nobody, not even the wives, can break through or even comprehend it." Starr said, "We really looked out for each other
and we had so many laughs together. In the old days we'd have the biggest hotel suites, the whole floor of the hotel, and the four
of us would end up in the bathroom, just to be with each other". He added, "there were some really loving, caring moments between
four people: a hotel room here and there a really amazing closeness. Just four guys who loved each other. It was pretty
sensational."
Lennon stated that his relationship with Harrison was "one of young follower and older guy ... he was like a disciple of mine
when we started." The two later bonded over their LSD experiences, finding common ground as seekers of spirituality. They took
radically different paths thereafter, Harrison finding God and Lennon coming to the conclusion that people are the creators of
their own lives. In 1974 Harrison said of his former bandmate: "John Lennon is a saint and he's heavy-duty, and he's great and I
love him. But at the same time, he's such a bastard – but that's the great thing about him, you see?"
Harrison and McCartney were the first of the Beatles to meet, having shared a school bus, and often learned and rehearsed new
guitar chords together. McCartney stated that he and Harrison usually shared a bedroom while touring. McCartney has referred to Harrison as his "baby brother". In a 1974 BBC radio interview with Alan Freeman, Harrison stated: "McCartney ruined me as a guitar player". Perhaps the most significant obstacle to a Beatles reunion after the death of Lennon was Harrison and McCartney's
personal relationship, as both men admitted that they often got on each other's nerves. Rodriguez commented: "Even to the end of George's days, theirs was a volatile relationship".
In June 1965, Harrison and the other Beatles were appointed Members of the Order of the British Empire ( MBE ). They received
their insignia from the Queen at an investiture at Buckingham Palace on 26 October. In 1971 the Beatles received an Academy Award
for the best Original Song Score for the film Let It Be. The minor planet 4149 Harrison, discovered in 1984, was named after him,
as was a variety of Dahlia flower. In December 1992 he became the first recipient of the Billboard Century Award, an honor
presented to music artists for significant bodies of work. The award recognised Harrison's "critical role in laying the groundwork for the modern concept of world music" and for his having "advanced society's comprehension of the spiritual and altruistic power
of popular music". Rolling Stone magazine ranked him number 11 in their list of the "100 Greatest Guitarists of All Time".
In 2002, on the first anniversary of his death, the Concert for George was held at the Royal Albert Hall. Eric Clapton organised
the event, which included performances by many of Harrison's friends and musical collaborators, including McCartney and Starr.
Eric Idle, who described Harrison as "one of the few morally good people that rock and roll has produced", was among the
performers of Monty Python's "Lumberjack Song". The profits from the concert went to Harrison's charity, the Material World Charitable Foundation.
In 2004, Harrison was posthumously inducted into the Rock and Roll Hall of Fame as a solo artist by his former bandmates Lynne and Petty, and into the Madison Square Garden Walk of Fame in 2006 for the Concert for Bangladesh. On 14 April 2009, the Hollywood Chamber of Commerce awarded Harrison a star on the Walk of Fame in front of the Capitol Records Building. McCartney, Lynne and
Petty were present when the star was unveiled. Harrison's widow Olivia, the actor Tom Hanks and Idle made speeches at the ceremony, and Harrison's son Dhani spoke the Hare Krishna mantra.
A documentary film entitled George Harrison: Living in the Material World, directed by Martin Scorsese, was released in October
2011. The film features interviews with Olivia and Dhani Harrison, Klaus Voormann, Terry Gilliam, Starr, Clapton, McCartney,
Keltner and Astrid Kirchherr.
Harrison was posthumously honoured with The Recording Academy's Grammy Lifetime Achievement Award at the Grammy Awards in
February 2015.
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